Roxane Lehmann, Ph.D.

Will Luke Be the Last Man Standing?

Season 4, Episode 16

The Framework

The verb “fall” and its various forms like “fell,” “falling,” and “falls” help shape the storylines of tonight’s episode. Claire heads to her college reunion and runs into the professor she fell for years ago. Phil, who’s supposed to be in charge while she’s away, keeps falling down. To be fair, he’s trying out some new frictionless shoes in anticipation of subbing on Jay’s bowling team for a tournament. Manny sings about falling flat on his face and picking himself back up. And Gloria falls and tweaks her ankle while reaching for a boa – something Mitch wants to borrow for the Oscar party he and Cam are planning.

Meanwhile, Cam is doing a movie-theme photo shoot so he can decorate their place for the party. Lily and baby Joe are his models. All goes fine until Lily glues a wig to Joe’s head because as she explains it: the “ Jane” Crawford wig kept falling off him. Mitch and Cam eventually cut the wig off – and with it much of Joe’s hair. Now they’ve got another problem: Who’s going to take the fall and tell Gloria?

Woven into tonight’s storylines about falling there’s a string of con artistry – all orchestrated by Luke. Both his sisters and Manny fall for one of his cons before the night is over. And with perfect sitcom logic, Jay becomes the fall guy for baby Joe’s haircut when Luke blackmails him by revealing that he’s on to how Jay’s team won the bowling tournament: They broke league rules by subbing in a pro.

As it turns out, Luke also knows a thing or two about breaking rules:

Luke (to camera): I have to get [a] letter signed because I failed my assignment on the Revolutionary War. I recreated the Battle of Bunker Hill using one of my old science projects. Seemed re-revolutionary to me…

Like all con artists, Luke has a good sense of timing. He has a knack for asking for things when his parents are busy or preoccupied. For instance, just as Claire is set to leave for her college reunion there’s this:

Luke: Hey, Mom before you go, you have to sign this for school. You don’t have to read it. It’s all boilerplate.

Claire: Honey, I’m running really late. Ask your dad.

And as a con artist, Luke can read people. He knows what makes his dad tick:

Luke: Hey, handsome. Can you sign this? Uhhh… You don’t need to read it. (He winks and nonchalantly points to the spot on the page where a parent’s signature is required.)

Phil: Never dooo… (As he grabs a pen and prepares to sign but doesn’t. Because just then the phone rings with bad news: Jay has found a better bowler to sub for the tournament.)

Flipping the Frame: My Notes

There’s no doubt about it. Luke is a good con artist. Most teens are. By the time kids become teens they can think abstractly, and they use their new, sharper thinking skills to their advantage. They can now understand the subtle nuances of interactions, so they can read people better and adjust their timing and their behavior to get what they want. And they can now articulate their ideas better, so they can manipulate the truth to talk us into things and lure us into thinking that we can trust them.

Teens can con us into thinking that they’re thinking like we do. But they’re not. Luke and his age peers lack experience. And they lack some of the brain development that allows adults to make wise decisions. Plus they don’t foresee consequences like we adults do. That’s why our teens need us to be their safety net – providing structure, monitoring, and guidance, as well as some explicit teaching to let them know what they need to do and why it’s important. And this explicit teaching is often best done through teachable moments.

Claire and Phil missed a teachable moment tonight when they failed to look at Luke’s fail notice. They missed a great opportunity to do some nudging and to rethink some of their parenting tactics.

But what if they had taken a look? How could they have responded in a way that might make a difference in the way Luke thinks about school and his schoolwork?

Here are a few ideas that the Dunphys (and the rest of us) might want to consider:

• Be there when they fall. We have to be willing to sometimes let our teens make bad decisions if they’re going to learn how to make good ones. But we need to be paying attention so that we’re there as a safety net when they fall – to comfort them if they need it and to reassure them that they can indeed bounce back. Being a safety net also means holding them accountable. When our teens make mistakes (and they’re bound to), we need to help them take an honest look at where things went wrong, how they contributed to the problem, and what they need to do differently next time.

• Allow natural consequences. Even though the Dunphy’s (I’m talking especially to you, Phil) might be tempted to call the teacher and get Luke off the hook, it’s generally better not to. To be honest, it’s not just Phil. Many of us tend to think our job is to do everything we can to shield our kids from adversity. Yet when we over-protect our teens from hardship, they don’t get a chance to develop the ability to overcome failure. If we want them to have long-term success, we need be willing to let them do some struggling. A rescue will just make our teens dependent on us in a way that neither they nor we want. And the natural consequences will teach our teens a lot about organizing and prioritizing.

• Strike a balance between monitoring and autonomy. When our kids reach Luke’s age, many of us parents become more demanding about grades and test scores. At the same time we become dramatically more reluctant to make and enforce all kinds of rules, including rules about studying and doing homework. This drop in parental involvement and monitoring is probably due to our recognition of our teen’s need for autonomy. However, the drop is probably too much for many young teens – including Luke.

• Coax teens to look into the future. Luke and other young teens can benefit from thinking about what they might want to do for a career someday. One way to encourage this kind of teen thinking is to ask them to make lists of the things they like to do, the things they like to learn, and the things they value, as well as the things they’re good at – perhaps even better at than most kids their age. And then talk with them about how their combination of interests and strengths might be used in a career eventually.

Our teens may change their minds and head in a different direction more than once. But teens who can articulate where they think they’re heading (at least for now) tend to work hard at school and to take hobbies and other activities seriously.

The BottomLine

Tonight, just after falling and tweaking her ankle, Gloria proclaims: I am now the new mother – the “I don’t know how she does it lady.”

All of us moms are that kind of lady. We’re plenty busy. And, believe it or not, the messages we send our kids about our work affects how our kids think about their work. In fact, our day-to-day modeling is our highest form of influence in our teens’ lives.

If we regularly come home from work downbeat and crabby, we’re modeling that work is something to be avoided. And because school is our kids’ workplace, we’re likely to see similar behavior from them. So at the end of the day, it pays off to try to summon whatever energy we have left and share the highlights of our day with our teens.

Flipping the Frame: Your Parenting Experiences

• Why do you think the writers for the show had Luke fall at the very end of the show? Was it a comment about karma catching up with him? Or did it represent one of those inevitable teen missteps?

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Manny Vies with Luke for the Phantom Lead

Season 4, Episode 14

The Framework

Tonight the action on Modern Family revolved around the word “play.” Haley and her boyfriend Dylan play house by babysitting baby Joe and Lily. Claire is there too, watching with concern as she overhears this exchange:

Haley: Having kids is fun!
Dylan: And easy.
Haley: Maybe this is what I should do with my life.

Meanwhile Mitchell, Jay, and Phil play golf. Jay who admits to being a bit of a drill sergeant when it comes to sports has put on kid gloves to coach Phil. But Mitchell, after six months of practice (and years of resentment), has taken off the gloves – or as he says, I was ready to kick my dad’s ass. And those are just the side stories. The lead story is about Cam directing a play.

Both Luke and Manny are involved in the play – a middle school production of “Phantom of the Opera.” And this lead story is basically about changing leads. When the student star gets mono, Manny lands the lead. That is until we learn that Luke, who’s been painting sets, can sing better. Then Manny determined to keep the lead, plays on Luke’s peer fears:

Manny: Look at the bright side. What if you don’t screw up, humiliate yourself, and get mocked forever.
Luke: Get mocked?
Manny: Only by the cool kids. But who needs them. You’re one of us now: the theatre geeks.

And with that, Luke refuses to sing. Cam considers playing the lead himself. Until he remembers it’s a kid production and begins coaching Manny for the lead:

Cam: Okay, Manny. Did you forget the notes I gave you? Or just choose to ignore them?

And then a bit later…

Okay, Manny, it’s no secret that you were not my first choice for this – or my second. But it’s not too late for you to make this your very own “Phantom.” So I want you to watch what Luke did and copy that.

Now don’t misunderstand. Cam doesn’t have it in for Manny. This is just his idea of directing. Here’s further insight into his style:

Cam (to cast): Okay. I’ll be recording today’s rehearsal, but don’t let that make you self-conscious. I’m only using it to pinpoint your mistakes.

In the end Luke takes the lead. He sings like a nightingale (as Cam puts it). And his father, who initially said he couldn’t make it because he was going to be busy playing golf, ends up attending the performance after all. Phil’s change of heart happens on the golf course as he listens to Harry Chapin’s “Cat’s in the Cradle” – a tearjerker about a dad who’s so busy that he misses all of the important moments in his son’s life.

Flipping the Frame: My Notes

Risk taking is at the heart of the teen storylines tonight: Claire hopes Haley will stretch and try new experiences before starting a family. And as Manny and Luke deal with the changing lead in “Phantom” (a lead that seems as elusive as a phantom), they too take risks.

Teens have to take risks. Risk taking helps them differentiate themselves from others and develop an identity. Taking risks lets teens test their boundaries and know what they’re capable of doing. Risks that go well can let them experience personal success – as Luke did tonight. And the risks that don’t pan out can help them build resilience – as Manny found tonight.

Risk taking is essential if teens are to grow into independent, productive adults. So it should come as no surprise that teens are hardwired to take risks. But those risks don’t have to be dangerous ones. In fact, although adults tend to link risk taking with negative behavior, most teens think that risk taking refers to positive activities that have a built-in challenge or risk for failure. These activities include things as diverse as taking an AP course, trying out for a sports team or play, mountain biking, rock climbing, asking someone on a first date, running for student council, and volunteering to mentor a young child.

According to recent research, this kind of positive risk-taking is associated with better overall emotional wellbeing. When compared to their peers, teens who take positive risks are more likely to describe themselves as responsible, confident, successful, and optimistic. They’re more likely to report that they often feel happy and less likely to report feeling bored or depressed. And they’re more likely to consider the potential negative consequences of dangerous risk-taking.

Interestingly, the research suggests that it’s the challenge level of the activity – not the number of activities that teens engage in – that makes the positive difference in their behavior.

The BottomLine

Although their peers come in a close second, teens say that they count on their parents more than anyone else to help them take the right kinds of risks and challenge themselves. And we want our kids to take those risks. We empathize with Claire’s wistful comment tonight as she watches Haley play house: Aim higher. Open yourself to new experiences…

And we can do more than wistful thinking. Here are some concrete things we parents can do to help. We can:

• Stay connected to them. Teens who report open and frequent communication with their parents about important issues are more likely to share their parents’ values and to try to live up to their parents’ expectations.

And it’s important we remember that being connected isn’t about occasionally going to coffee with our kids. Being connected is about talking, listening, and being available on a regular basis. As Harry Chapin’s “Cat’s in the Cradle” song reminds, it’s about being involved in our kids’ lives.

• Praise selectively. Notice what your teen is doing well and acknowledge it. Praise that hits the mark is of incredible value. It affirms your teen by underscoring what they already know. But be careful about overpraising. Excessive or undeserved praise can lead kids to feel entitled – to come to believe that good things will automatically happen to them. Not because they’ve earned it, but just because they want it.

And when praise is earned, rather than giving a general compliment, be specific. Vague praise doesn’t have much effect, and teens can’t learn from it. Plus even though we’re our teens’ biggest fans, they’re not tops in everything. And we’re not helping them learn what they’re capable of doing if we imply that they are.

• Criticize Constructively. There are times when our teens can benefit from our honest, constructive criticism. But because teens are often ultrasensitive, especially when it comes to our judgments, it’s often difficult for us to be truthful without being hurtful.

And the hurtful memories can last a long time. In tonight’s episode Mitchell laments about how his father criticized his athletic endeavors as a kid: I wasn’t the best athlete growing up, and my dad never missed an opportunity to point that out: “Nice throw, Nancy!” Mitchell then pauses before adding: Nancy was our neighbor. I could never throw as well as she could.

How we relay criticism, however, can make a big difference. (Listen up, Jay and Cam!) Helpful criticism is done face-to-face; it’s done in private; and it never attacks the character of the person. If teens believe that their failure is due to some unchangeable flaw, they’ll lose hope and stop trying. Plus character attacks put teens on the defensive, meaning they can no longer listen to what we have to say.

Helpful criticism deals with the specific problem at hand. It points out what the teen is doing well and what they’re doing poorly. Helpful criticism holds out hope for doing better. And it suggests a plan for doing so – perhaps pointing out possibilities or alternatives the teen did not know were there.

Flipping the Frame: From My Life as a Parent

We don’t want our kids to settle for less than they can be. And when fear is holding them back, we parents can help them tip the balance back in the right direction. My daughter taught me a lot about this.

I learned that I could be most supportive by initially helping her unpack her resistance, saying something like “You seem kind of nervous. What are you most worried about?” I’d then stay quiet and listen to her anxieties. And once she’d had a chance to air her worries, I’d remind her of her resilience and past successes under similar circumstances. Here’s an example of what that reminder sounded like when she was about 14-years-old and anxious about an upcoming ballet recital:

I know you’re nervous about the dance recital on Saturday. But I feel certain you will get through it successfully. Remember last year before the recital you felt the same way. You weren’t certain at all about one of the dances, but you got through it beautifully.

Before the recital started, you were uncertain – afraid you’d forget something or even fall. You had a stomachache and your throat hurt just as they do now. But you danced exquisitely, and when it was over you talked about how much you enjoy performing for an audience.

You’ll get through this, just as you have before.

The technique of listening to their worries and then reminding them of their past successes is a powerful way to support them – whether it’s a recital, a competition, or a big test. When our kids are feeling anxious and full of doubt, they can benefit from our support. Even if it’s just a few positive words: You can do it. You’ll be exactly enough! I know you will.

Flipping the Frame: Your Parenting Experiences

• How could Cam have done a better job with Manny? What could he have said that would have been honest without making Manny feel inadequate?

• If Luke were your kid, how would you have praised him for his performance in “Phantom?”

• Have you found a way to give your teen honest feedback without being hurtful? If so, what’s the hardest thing for you to get right? For me it was keeping my eye brows from going way up. How about you? Is it your timing? Your facial expression? Your tone of voice? Your words?

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